Pietro Fragiacomo(Pirano deIstria (Trieste), 1856 - Venice, 1922) was an Italian painter. Born at Pirano deIstria near Trieste, Fragiacomo moved with his family to Venice, where he enrolled at the Academy of Fine Arts in 1878 after a period as a worker in Treviso. He then abandoned his studies barely one year later to devote himself more freely to painting from life, often in the company of his friend the painter Giacomo Favretto. He won a bronze medal at the Universal Exhibition of 1889 in Paris and took part in the Munich International Exhibition of the same year, as well as later editions. Drawing inspiration from the Venetian lagoon and always characterised by a crepuscular sense of nature, his landscapes took on Symbolist overtones at the end of the century. He won the Prince Umberto Prize at the Milan Triennale of 1891 and was a regular participant from 1895 to 1922 at the Venice Biennale, which held a solo show of his work in 1910 and a posthumous retrospective in 1924. | |||
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Die Piazza San Marco ID de tableau:: 89197 Voir la galerie dans Suède |
Die Piazza San Marco 1899(1899) Medium oil on wood Dimensions 145 x 84 cm (57.1 x 33.1 in) cjr 1899(1899) _ Medium_oil_on_wood _ Dimensions_145_x_84_cm_(57.1_x_33.1_in) _ cjr |
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Venezia povera ID de tableau:: 98044 Voir la galerie dans Suède |
Venezia povera 1882(1882) Medium oil on canvas Dimensions 78 x 147 cm cyf 1882(1882)_ Medium_oil_on_canvas_ Dimensions_78_x_147_cm_ cyf |
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| Pietro Fragiacomo | ||||||||||
| (Pirano deIstria (Trieste), 1856 - Venice, 1922) was an Italian painter. Born at Pirano deIstria near Trieste, Fragiacomo moved with his family to Venice, where he enrolled at the Academy of Fine Arts in 1878 after a period as a worker in Treviso. He then abandoned his studies barely one year later to devote himself more freely to painting from life, often in the company of his friend the painter Giacomo Favretto. He won a bronze medal at the Universal Exhibition of 1889 in Paris and took part in the Munich International Exhibition of the same year, as well as later editions. Drawing inspiration from the Venetian lagoon and always characterised by a crepuscular sense of nature, his landscapes took on Symbolist overtones at the end of the century. He won the Prince Umberto Prize at the Milan Triennale of 1891 and was a regular participant from 1895 to 1922 at the Venice Biennale, which held a solo show of his work in 1910 and a posthumous retrospective in 1924. | ||||||||||
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